There is a clear covenant implied in our declaration of Independence-a covenant between God, the People, and the Government. When we, the People turn our hearts to God more than to our government or to ourselves, His Providence increases our personal wisdom and decreases our government dependence. We are individually and collectively freed.

Art Work



There is a clear covenant implied in our declaration of Independence-a covenant between God, the People, and the Government. When we, the People turn our hearts to God more than to our government or to ourselves, His Providence increases our personal wisdom and decreases our government dependence. We are individually and collectively freed.




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“Covenant Makers”

Mr. Malm’s introduction to the Diorama embraces the theme; there is a covenant and I am a part of it.  The Caption, “One nation under God”, and the representation of Americana as a sweeping view with the “old north church and its steeple pointing towards the heavens captures the message.  I especially loved the haunting eyes of the child, representing the rising generation, which seem to be saying "this is what we are doing, what are you going to do?”  The faith and love of a child lead us. The family is front and center in this painting expressing the artists testimony about its importance to the covenant and the foundation of society .  I am impressed with motion and movement we feel with the Continental volunteer in his hunter’s shirt. Washington specifically asked volunteers wear this unofficial uniform if possible because the sight of an armed American carrying his American long rifle and wearing his hunting frock impressed and terrorized the British giving advantage to the Americans.  The more the American looked and acted like he could use his arms the less likely he was to have to use it.   We, like this continental soldier, need to be actively moving to make a difference today. 









“Covenant Protectors”


It is fitting that artist Mike Malm as the lead artist for this project completes his set depicting the inseparability of covenant makers and covenant protectors to a free republic.  No one should be more honored than those who become “the servant of all” and willingly put themselves under oath and do solemnly swear…. These are truly the “greatest among us”.  Those who enter politics to serve-self or place their left hand on the Bible, yet sign into law that which is not lawful crumble our Republic.  Many of the models for this picture are real covenant keepers, including the soldier who told leaders that if an order to confiscate the guns of American citizens after the Katrina hurricane were given, he would not obey them.  Lest we forget, the white headstones are symbolic of the cost of Freedom.  This prayer from William Stephenson during WW II says it well “Dear Lord lest I continue my complacent way help me remember that somewhere out there a man died for me today- as long as there be war, I then must ask and answer am I worth dying for?”  (pp118 A Man Called Intrepid, William Stevenson)









“The Divine Perspective”

While we cherish our own perspective, Mr. Winborg’s painting reminds us a higher and greater view comes as we seek to know the will, law and mind of God.  Our founding document, the Declaration of Independence, wisely establishes that the Laws of Nature and Nature’s God are the foundation of the American system.
 We can classify ourselves at any given time by what is ruling our life: Are we ruled by our own flesh, following only after what feels good at the moment?  Are we governed by our conscience keeping us from hurting others, or are we led by the Holy Spirit moving us toward acting, building and supporting “His Kingdom come His will done on earth as it is in Heaven”?  This painting reminds us of the beauty of that divine perspective and prepares our hearts for His message










“Choose Ye This Day”


Mr. Veselka’s epic painting shows that the choices are not new.  In the background is Egypt and Moses, the choice given the ancient covenant people.  The demigod Pharaoh has all earthly power even over life and death, building great monuments to himself and ruling according to his will.  He is the law unto himself, yet the reality was not even for a moment was he really in charge.  The humble Moses is following God and His law, leading the people to inherit the Promised Land and experience and grow from self-determination under God.  The people were to become a peculiar treasure unto the Lord, a kingdom of priests, a holy nation.  Symbolically the flow of people and time moves along until in the foreground we see the prophet Samuel, again trying to lead the people away from “the demigod rule side” towards self -rule under God.  We see the gap is widening as eventually the people reject self –determination and at the same time rejecting God (1 Sam.6,7) by seeking again to have an earthly king to rule over them.









“The American Covenant”


Mr. Veselka’s painting was produced as a theme-bound set together with Choose ye this Day.  Our choice is also a covenant today.  Like a holy marriage, the covenant is between God, the people and the government.  Only this covenant has power to preserve liberty and the life of prosperity and happiness we have long enjoyed. It is easy to see our self in this painting, but more important to see our self in this covenant.  This marriage, in our day, is failing; the best hope of reconciliation is to put God back into the relationship.   The religious leadership of America must lead!  Our forgotten founding document, the Declaration of Independence re-establishes the relevancy of religion, puts God back into the relationship and again must become a part of our government if our nation as a constitutional republic is to be saved.











“The Great Awakening”


Without the great awakening there could not have been an American Revolution.  The pulpits of America were aflame with the spirit of liberty. America needs great religious leaders today to again embrace the Godly cause of liberty.  Mr. Winborg captures the spiritual separation from European religion.  European Religion supported state control.  American Religion became about individual salvation and responsibility and was absolutely vital to the birth of the Republic.  This revolutionary mindset prepared the people to dare to consider individual sovereignty under God, hence the unofficial motto of the revolution “no king but King Jesus”.  I love the great feeling in this painting which prepares us for a second great awakening in preparation for a nation to be “born again”.












“God Protects the Covenant”

Mr. Griffith’s painting is the lead into the great miracles of the covenant including the five times during the American Revolution General Washington called upon this people, congress and soldiers to offer fasting and prayers of gratitude in recognition that God had turned the tide of battle in favor of the American cause. The statue is representative of the legacy, the garden in indicative that the legacy is alive and growing but neglected and parched, the storm is representative of the intense national storms we currently face.  These storms are the very thing that can revive our legacy garden if we turn to God.  Ronald Reagan put it this way, “If we remove one nation under God, we will become one nation gone under.” The shallow rooted (faddish) plants of the foreground may not make it, but the deep rooted part of the garden in the rear still has strength and when re-nourished from Heaven will thrive.






“Miracle #1.The Deliverance of Boston, The Fog Miracle”

Mr. Gudmundsen’s powerful art captures the spirit of deliverance as the miracle played out.  Originally it was thought to put together a collage bringing together  numerous miraculous events each a part of the miracle, including the calling of George Washington, the fall of Ft. Ticonderoga without firing a shot done in the name of the Great Jehovah and the Continental Congress, the impossible mission to retrieve the fort’s cannon in winter by Knox, The whole army basically leaving when enlistments expired and a new replacement army  in without being exploited by the British,  The two intense blizzards  preventing counter-attack and others.  The blessings proved more than room enough to receive on a single canvas, so the artist wisely choose a representative event. The fog arriving in time to cover the taking of Dorchester Heights, which was key to forcing the British retreat from Boston.  The muted tone of the painting adds mood and feeling as Americans work together in partial darkness but above the fog, each man and beast fulfilling his role and part of the miracle.







“Miracle #2.  Battle of Trenton, Hope Survives”


This emotional piece by Mr. Clark lets us experience the surrender of the Hessian soldiers at Trenton.  The spirit of sacrifice is portrayed in the wounds to the feet of the shoeless young soldier his feet wrapped in rags and the evidence of the wounds, crimson blood in his snowy tracks. This is historically correct. The young American has not held back his devotion and been personally engaged as evident by the wound to the forehead.  This painting must be experienced up close to feel the expressions captured by the artist.  The surprise and bewilderment of the professional Hessian soldier reputed to be the toughest and most determined in the world is stark and equally captured by the expression of the young, untrained, ill clothed, American accepting the surrender.  In the background is the General.  The dark night of defeat, retreat, sacrifice, pleading and planning has been given new hope with the dawn of a blessed day. The Iconic painting of Washington crossing the Delaware tells part of the story; this painting emotionally captures the rest.








“Miracle #3 Benjamin Franklin’s Mission to France”

The vibrancy of Mr. Franklin in this setting of the French court representing the American cause comes to life in Mr. Winborg’s painting.  This was a much needed miracle, for without the French assistance the cause had no reliable source of powder, ball and military supply.  Only Franklin’s inspiration and genius could have accomplished this mission by first the winning of the hearts of the French people and second the diplomatic recognition and support of the American cause.  The state of the French people is also accurately portrayed and felt.  Sadly, in a few short years the French nation would also turn to revolution but without turning to God.  The results were horrible beyond description.  The “godless revolution” to overthrow existing condition continues on today as does the revolution towards God.  The wisdom of Mr. Franklin steers us toward the latter.








“Miracle #4
Judas/Benedict Arnold; Treachery and the Saving of West Point”


Had Arnold held on a little longer history would have honored him as one of five truly great military revolutionary leaders. Instead, he is vilified in infamy. If we fail this cause, our name will become associated with the traitorous Arnold instead of the American founders. Mr. Edwards’s symbolic painting has Arnold opening a door with reflection obscuring the future.  He has already clothed himself in the uniform of the enemy.   Imperfections in the glass distort and uglify the reflected image.  We only see part of Arnold’s face, reminding us that History only tells us part of his story.  Remember his hurt pride as congress snubbed him twice and only made good after Washington’s personal intervention, his resolve weakened physically after being wounded twice in the same place, his moral fortitude dampened by drinking and incurring gambling debt, married to a tori  wife added temptation. What are our excuses?  Will we pass our test?     In the background is a reflection of WestPoint, a church and a family (his family) indicating betrayal of God, county and sadly one’s own family and posterity.  We love the early Arnold for his dashing bravery, competence and leadership, yet he failed his test.  We sadly remember Benedict Arnold.





“Miracle # 5 The Tide of the Battle Turns in the South “


America passed the test and was given the miracle gift of victory.  Center and front is General O’Hara representing the nation of Great Britain and symbolically giving his sword in surrender.  This, the surrender of the British at Yorktown, was the final great battle of the war.  The Americans came to battle significantly outmatched and underdog, but miracle upon miracle gave advantage and victory.  Artist Warren Neary, who is a military historian and painter, powerfully captures the essence.  Left background is the Swamp Fox, Francis Marion, who never had more than 60 men under his command but with, faith, skilled leadership, determination and using guerrilla tactics, bottled up 5000 British regulars.  On the right is General Lafayette, who pursued and pushed the British to their ill fate.  Washington had been able to slip away un-noticed in the north to lead the final assault.  The relentless cannonade made holing up impractical and the arrival of the French fleet sealed the escape.








“The Sixth Miracle, We the people, the Miracle of Philadelphia.”


The bright light of the new era of freedom bursts forth upon a signed and completed United States Constitution.  The five miracles establishing the Declaration are not complete without the miracle of the Constitution.  Likewise the Constitution fails if not interpreted in light of the grand principles of the Declaration. The Constitution is the “how to” manual to deliver the promise of the Declaration.  The Declaration is the pedigree of authority, the covenant and vows of marriage between God, the People and the government.  The enemies of the Constitution, the enemies of religious principle and the enemies of the rights and responsibilities of the people despise the Declaration as the interpretive filter. God raised up wise men, inspired their words, fortified their resolve to complete and tempered their prejudice to bring together this, the world first written national Constitution.  Larry Winborg’s love of this document is captured in his art. Benjamin Franklin said it well when this work was nearing completion.  Reflecting upon the sun  symbol on the back of Washington’s chair and the difficulty in telling if it was setting or rising. He now testified that it is a rising sun!






“Remembrances, the Benediction”


Our experience enables us to act directionally in the future.  Debra Teare chose mementos in a box as her subject.  Each piece was chosen for its significance.  The art is so real the temptation is to pick up and handle each piece.  The hope and prayer is this message is something you will reach for and make a part of your life. Debra does not do huge art pieces, but rather puts incredible detail into what is right before her.  We likewise must give attention to the detail of our efforts and make them real and effective.  Our benediction, the mementos of our life will reflect the values we put into our box and we will be remembered for what they are.  Will they be trivial and fleeting or solid and lasting?





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